He refuses to take it back, saying it would be against Vulcan custom. After Spock decides to part ways with Uhura, he gives her a necklace as a token of his affection. The fraternal banter between the Enterprise crew is the film’s strongest aspect, reminiscent of the jocular energy of Pegg’s earlier screenplays. But as his team reminds him, Spock is needed on the ship - especially by Kirk, who wouldn’t be able to function without his right-hand man. Spock (Zachary Quinto), following the destruction of his homeland, is contemplating leaving the Enterprise to carry on the work of the recently-deceased Commander Spock (Leonard Nimoy), his alter-ego from another universe. “Into Darkness” was hampered by its own super-seriousness and an Uhura-Spock romance that felt ripped from a Katherine Heigl movie, but “Beyond” focuses on the real romance of “Star Trek” - the relationships between its crew members. “Star Trek Beyond,” more than anything, is designed as a course-correct from the previous film. That kind of self-referential humor permeates “Beyond,” directed by Justin Lin (“Fast Five”) with a sense of rollicking adventure missing from the previous entry, “Into Darkness,” weighed down by dour ballast. “Things have started to feel a little episodic,” Kirk bemoans in a strong monologue that’s often quite pretty. Kirk (Chris Pine), now three years into his mission to explore the vast recesses of the galaxy, tells his captain’s log that the infinitum of space is both beautiful and despairing: While it means anything is possible, the indistinguishable days turn punishing. The effort itself yields its own reward.”Īt the opening of “Beyond,” a sense of fatigue has set in over the Enterprise, and perhaps the films themselves. It does not matter that we will not reach our ultimate goal. “It is the struggle itself that is most important,” waxes Data in “The Next Generation.” “We must strive to be more than we are. Created by Gene Roddenberry, the show was expansive with ideas about man’s existential fate, and subsequent installments only expounded on its philosophical optimism. Pegg’s script is a nonsense, but it is a spirited one, the closest in tone of the recent trilogy to the original “Star Trek” series. “Beyond” is the first “Star Trek” film to be penned by Simon Pegg, who co-wrote the cult comedy Cornetto Trilogy (“The World’s End,” “Hot Fuzz” and “Shaun of the Dead”) with his frequent collaborator, Edgar Wright. The film’s own logic is so casually convoluted that, like Ellen Page in “Inception,” the characters have a way of narrating the action to the audience, just to make sure you’re following along.
Star trek beyond full movie best action movies movie#
“Star Trek Beyond” is a movie full of whatever devices, where an outdated ship that crash-landed on a hostile planet a century ago can be easily fixed up with a little TLC and an attack of killer bees is neutralized by blasting the Beastie Boys.
“One line of dialogue: ‘Thank god we invented the… whatever… device.” Nick likes the idea, except for one problem: “Wouldn’t they blow up in an all-oxygen environment?” Jeff is prepared for this question. Jeff envisions a science-fiction romance where Catherine Zeta-Jones and Brad Pitt light up in space - in between ravishing each other’s naked bodies, that is.
Nick Naylor (Aaron Eckhart), a lobbyist for the tobacco industry, is pitching Jeff (Rob Lowe), a Hollywood super-agent who never sleeps, on bringing cigarettes back to the movies. There’s a scene from Jason Reitman’s “Thank You For Smoking” that’s impossible to erase from your mind when watching “Star Trek Beyond,” the third entry in the rebooted film franchise.